Rec · Weyland · Two rooms

Rooms that sound like records.

Engineer included, always. Every rate on this page comes with someone at the desk who has made records in this room and wants yours to be the next one.

01 / The rooms

Two rooms, tuned by ear, then by math.

One hallway between them, a window you can see the drummer through, and a kettle that is never off. Both rooms come with every booking. Nobody rents you half a studio.

Live Room A: wood panelling, the grand piano with its lid up, and mic stands set for a session

Room oneLive Room A

  • 26 × 20 ft
  • 13 ft ceiling
  • Oak floor
  • 2 iso booths
  • 24 tie lines

Big enough for a five-piece playing at once, dead enough in the corners to keep the drums out of the vocal mic. The 1962 Ostrander 7-foot-4 grand lives here and is regulated every quarter. Both iso booths have sightlines to the drum riser and to each other, so the band can still argue with their eyes.

  • Full-band tracking
  • Drums
  • Strings and horns
  • Piano and vocal
  • Choirs up to twelve
The control room outboard racks, VU meters lit amber

Room twoControl Room

  • 18 × 15 ft
  • 32 channels
  • Soffit mains
  • Couch for 4
  • Glass to Room A

Built around a 32-channel Halvorsen inline desk from 1989, recapped in 2023 and worth every hour it took. Mains are in the soffits, nearfields on the bridge, and there is a couch behind the engineer where you hear exactly what they hear. Mix here, or bring your own session and borrow the best pair of ears in town.

  • Mixing
  • Overdubs
  • Vocal comping
  • Attended mastering
02 / Rates

Plain numbers. Engineer included.

Every rate includes an engineer, both rooms, the whole mic locker and the piano. No rental line items, no surprise on the invoice. Hourly has a four-hour minimum. Overtime is the hourly rate in half-hour blocks, and we ask before we run past.

  • Hourly $95per hour · 4 hr minimum Overdubs, a vocal day, a single you already know cold. Four hours is the floor because the first one is always setup.
  • Half day $4255 hours Nine to two or two to seven. If the room is free the night before, we set up drums then and you start on time.
  • Full day $78010 hours Ten to eight, lunch on us. Most bands track three or four songs live in a day here, and keep more of them than they expected.
  • Mix $350per song Stems in, stereo out. Two rounds of revisions. Sit on the couch for it or get it in your inbox, your call.
  • Master $90per song Streaming and vinyl masters, ISRCs embedded, DDP on request. Add $40 a song for a stem master.
Tape. Two-inch runs $65 a reel plus alignment time, quoted before we thread it.
Deposits. Half holds the date, refundable up to seven days out.
Blocks. Five days or more, ask and we sharpen the pencil.
Students. 15% off weekday sessions with an ID.
03 / The gear

The list, without the adjectives.

Console and conversion 4 items

Halvorsen 3200 inline console, 32 ch1989, recapped 2023
Kessler AD/DA, 32 in / 32 outup to 24-bit / 192k
Beckett 2-inch 24-trackaligned monthly
Any DAW you bringhouse sessions at 24 / 96

Monitoring 4 items

Brightwater Q7 mainssoffit-mounted, 2 × 12 in
Northgate NS-8 nearfieldson the bridge
A pair of small, unflattering cubesfor the honest check
Headphone mixes8, individual, both rooms

Mic locker 23 mics

Sable M-12 tube condensermatched pair
Fenwick R-84 ribbon× 2
Tarrow LD-7 large diaphragm× 3
Marsh SD-4 small diaphragmmatched pair
Kestrel D-20 kick dynamic× 1
The usual dynamics× 14, the ones you expect

Outboard 6 items

Ashgrove FET-76 compressor× 2
Halden HL-2 tube compressorstereo
Wren OL-1 opto limiter× 2
Corvid PQ-4 parametric EQ× 2
Lumen 8 ft plate reverbin the basement
Spring tank, tape echoboth a little broken, on purpose

Instruments and backline ask for more

Ostrander 7 ft 4 in grand piano1962, regulated quarterly
Bexley 4-piece maple kithouse heads, house cymbals
Upright bass, tack piano, a working organno charge
4 combos, 2 heads, a cabinet closetbring your own or do not
04 / The engineers

Two people who have heard it all, and still listen.

Marcus Bell at the console, headphones around his neck

Marcus Bell

Owner, head engineer
  • The Low Tide SistersSalt Year
  • Copperhead UnionQuiet Engines
  • Bells for Owenthree records
  • Havoc and Marigoldlive sessions

Twenty-two years at the desk. Still tracks drums with four mics first and adds the rest only if you ask.

Ines Faro setting a microphone beside the grand piano in Live Room A

Ines Faro

Engineer, mixer
  • Salt Pond ChoirEvensong
  • Dane AlderFurnace Lane
  • Pale MothShorelines
  • The Rook SistersEP, forthcoming

Tunes the grand herself. Hears you go flat about a bar before you do, and waits until the take is done to mention it.

05 / How a session goes

Three steps. None of them are hard.

01

Call

Fifteen minutes on the phone about the project: what you are making, how many people, how finished the songs are. We tell you honestly how many days it needs, even when the answer is fewer.

02

Book

Pick the dates, send half as a deposit, get a confirmation with load-in times and a packing list. That is it. No portal, no login, no app to install.

03

Show up rested

Sleep. Eat breakfast. Bring the songs you rehearsed, not the ones you are still writing. The room will be set, the kit tuned, and the kettle on.

Before you come

The short list we send with every confirmation. Every item on it has cost somebody an hour.

  • New strings the day before, not the day of
  • Fresh drum heads, or we fit ours
  • Tempo maps and scratch tracks on a drive
  • Lyrics printed, large
  • A tuner you trust
  • Snacks that do not crunch near a mic
  • Reference mixes for the mix day
  • Two spare cables, because there are never enough
06 / Who records here

Bands, choirs, a lot of pianists, one podcast.

We tracked the whole record live in two days and it still sounds like us. Only better.

The Low Tide Sisters

Marcus told us the bridge was too long. He was right. He usually is.

Copperhead Union

The first studio where I could hear my own piano properly. I have been back four times.

Dane Alder
07 / Book time (555) 555-0184 book@reverb.example

Sessions run from 10am until late, seven days. If we are tracking when you call, leave a message; we ring back between takes. Email gets an answer the same day with open dates.

Address

118 Furnace Lane, Unit B
Weyland

Open in Maps

Parking

Two spots in the lot with your band name on a cone. Furnace Lane is free on the street after 6pm and all day Sunday.

Load-in

The wide green door at the side. Ramp, no steps, 8 ft of clearance, straight into Room A.

A dolly and a hand truck live just inside. Load-in opens thirty minutes before your session, no charge.

Built on Hatchable